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"You find yourself at the end of a dead-end street in Long Island City. Over to the left, that seemingly abandoned brick building with Derrick and Hoist Go. Inc. emblazoned at the top is your destina-tion. SculptureCenter is not your average, reconfigured 19th-century museum building. It's a modern, non-collecting experimental labora-tory, where the idea of three-dimensional art is ushered into another dimension. Artist and acclaimed architect Maya Lin had the good sense to renovate this former trolley repair shop, updated by Andrew Berman in 2014, while keeping its inherent grittiness intact. Exposed brick walls, giant iron beams, and pitted cement floors define the sleek first-floor gallery. Wander down to the crazy puzzle of rooms in the basement, and you'll see old water meters on the walls and winding cement tunnels. Set inside these industrial niches are cutting-edge sculptures like you've never seen before. As you explore and discover each corner, you feel as though you are rummaging through an abandoned building, with the thrill of potential danger creeping up behind you at any moment. These are not the kind of polite marble sculptures you'll find at the Met. Many successful artists working today had their first shows here. All works rotate and have included Jon Wang's immersive video and sound environment featuring live silk worms cocooning, eating, and spinning silk threads. Live video of the silkworms was projected on the walls, while spoken word echoed around you, creating a living work of art that changed over time. Jules Gimbrone has used a series of glass vessels filled with liquids to explore how sound recordings echo and amplify in the small space. There have also been giant rock formations embedded with hundreds of tiny black-and-white pho-tos. You have to figure out what makes each piece a sculpture. That's half the challenge."
@alexia.mlt
"Lydia Ourahmanne till August 5"
@m_val
" Sculpture Center is one of NYC's largest experimental art galleries. The building, an old tram garage, is wildly beautiful and a dream place for all heavy-industry romantics. The old crane is still hanging high up below the ceiling, and in the narrow aisles in the crypt-like cellar, the air vibrates from mysterious tones coming from the audio and video installations. Open to-ma 11-18. Suggested contribution for entry. . "
@breum