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"The Hôtel de Bagis is a Renaissance hôtel particulier of the 16th century. It is a listed historical monument since 1889. It is also called Hôtel de Clary, after the owner who carried out the second campaign of works at the beginning of the 17th century, or Hôtel de pierre (meaning «stone hotel») because of its spectacular (grotesque?) façade which was constructed entirely of stone, which was unique in Toulouse in the 17th century. It is rumored that much of the stone imported from quaries of Pyrenees for the construction of the Pont Neuf were diverted to Clary’s project. None the less, It is an exceptional (unusual) ensemble of the Renaissance of Toulouse. The construction of a first hotel begins in 1537 under the direction of the famous Toulouse architect Nicolas Bachelier. The hotel was modified in 1611 by the architect Pierre Souffron, who built the new façade on the street, entirely in stone. The sculptured decoration was only completed in the 19th century. COURTYARD: Nicolas Bachelier, designed four building blocks arranged in quadrilateral, open on a central courtyard. The elevations on the courtyard, where the stone and the brick are mingled, are richly ornamented. The work of Bachelier is still visible on the west elevation, which is the one which has been least altered by the campaigns of successive works. FACADE ….Between 1609 and 1616, François de Clary caused the façades of the south buildings to be modified and also constructed the stone facade along the street. Composed of eight bays, its axis of symmetry is formed by the two central bays, identical, of which the one on the left only houses the gateway. The monumental facade was erected between 1609 and 1616 at the request of Gabrielle Guerrier and her husband François de Clary by the architect Pierre Souffron, assisted by several sculptors and stone-cutters who succeed each other on the building site. The facade is richly decorated with a carved stone decoration: pilasters, trophies of arms, garlands, fruits. François de Clary placed on the capitals of acanthus, eagles and suns which recall his coat of arms. His weapons are also placed above the gates, but they were hammered out during the French Revolution. In 1855, Calvet-Besson completed the sculptures on the façade and placed the coat of arms of François de Clary and his monogram above the doors. He entrusted the realization to the architect Urbain Vitry and the sculptor Calmettes. The sculptured decoration was only completed in the 19th century."
@babbtm1
"Ce quartier fut celui de la noblesse de robe à partir du XVe siècle. Belles demeures. L’hôtel de Clary : la maison de Pierre c’est l’édifice le plus prestigieux de la rue encore habité escalier renaissance élégant et sobre tout à la fois au fond de la cour. "
@cgnaya